Bored one day, they walk to town and discuss relationships and their virginities. It studies the relationship between chubby 12-year-old Anais Pingot (Anais Reboux) and her svelte 15-year-old sister Elena Pingot (Roxane Mesquida), who vacation with their parents on the French seaside. ![]() The follow-up to Romance (1999) – Breillat’s notorious film about a woman’s sexual dissatisfaction, violent betrayal, and self-loathing – Fat Girl may be less explicit, but no less brutal. In the case of Breillat’s Fat Girl (2001), the feelings it elicits are far more complex. The films are fleshy and corporeal, bordering on pornographic at times – but the aim is not arousal. Writer and director Catherine Breillat is a steady fixture in the transgressive film movement known as “New French Extremism.” Descendants of Pier Paolo Pasolini, David Cronenberg and American Exploitation cinema, this turn of the century movement is determined to break taboos, forcing audiences to look at sexual ugliness and, often, savage violence.
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